Youqine Lefèvre's The Land of Promises at LES FEMMES S’EXPOSENT
The French festival LES FEMMES S’EXPOSENT (Houlgate, FR) is entirely devoted to professional women photographers. Its vocation is to show their growing contribution to the world of photography and the media, to make their work visible. The fifth edition of the festival will present the works of Anaïs Boudot, Carol Descordes, Hannah Reyes Morales, Ieva Saudargaité Douaihi, Laura Menassa, Manu Ferneini, Marion Esquerré, Juliette Pavy, Oksana Parafeniuk, Rima Maroun, Sandra Calligaro, Stéphanie Branchu, Victorine Alisse and Youqine Lefevre.
Youqine Lefèvre (b. 1993, CN) will show her work The Land of Promises, about her transracial and international adoption and the birth control policy in China: "In 1994, six Belgian families, including my father, travelled across China to adopt girls. I was born in Hunan Province in 1993 and was adopted at the age of eight months. According to the official documents I have, I stayed with my biological family for a month before they left me in a city called Yueyang. A resident found me and dropped me off at the police station. The authorities handed me over to the orphanage and reportedly searched for my parents for four months. I lived in the orphanage for seven months before I was adopted.
The Land of Promises is about China’s birth control policy, especially its one-child policy (1979–2015) and its many consequences that still have and will continue to have repercussions. At the same time, it’s a personal project; it tells the stories of those parents who went almost to the other end of the world to adopt a child, of the five other girls adopted at the same time as me and of my experience in particular. I have no recollection of what preceded my adoption or of the meeting between the parents and children at the orphanage. My ‘memory’ of this event has been mediated through the stories my father and the other parents have told me, the photographs and videos they made and the official documents. Drawing on these archives (which date to 1994), pictures I took during trips to China in 2017 and 2019, research based on writings of demographers and experts on China’s birth control policy and testimonies of people I met in China, this work is about the discovery of my country of origin and an attempt to understand what led to the abandonment and international and transracial adoption of hundreds of thousands of Chinese girls."
